Gender, Technology and Representation: Analysis of Ban’s U Syiem (2013)

Abstract

The film is a medium that has the ability to bring change to society. Films, especially regional films, influence the audience since they connect more with the local content. The advancement in film production technology has not only improved the film-viewing experience but also provided an opportunity to filmmakers to offer a variety of content. This puts the filmmakers in a privileged position as they decide what the viewers will consume although films may or may not represent reality. This study analyses the first animation film of Meghalaya, U Syiem (2013) with representation theory as a framework to understand the portrayal of male and female characters in the film. The study also includes an interview with the film’s director to understand the process of developing and creating characters in the film. The study aims to provide new perspectives to viewers and learners in understanding various aspects of men’s and women’s roles in a matrilineal society through the nuances of animation technology.